It's been a week since our newest, and last, son - Henry Delbert - arrived safely into the world via c-section. He is absolutely beautiful, perfectly content and as predictable of a baby as I've experienced. Ever since we became pregnant with Henry, I've been coming to terms with this being our last baby - treasuring every little bump and kick in spite of heartburn and general discomfort during pregnancy, and now, as each day passes and Henry grows (and cries, and hiccups, and chirps, and poops, and sleeps, and stretches, and eats), I find myself experiencing similar bittersweet emotions about this phase of life coming to a close.
Brandon and I decided this would be our last baby almost before we were pregnant with him. I have to admit that I love being pregnant, and I love having babies, in spite of the discomforts that come along with pregnancy and c-sections. We planned on having my tubes tied several months ago, though in my heart I could only commit to being 95% sure this should be it. After all, I'm 28. Most of my friends and acquaintances my age aren't even considering starting families until they are safely out of their twenties, and here we are, putting a stop to the baby making business?
However, last night as I was feeding Henry, I realized that we've been trying to make babies, recover from losing babies, or birthing babies every year since we got married. I've been pregnant every year since 2004, counting my three living and breathing miracles as well as four miscarriages. It has been a long season of baby-making, baby-losing, and baby-birthing, and it feels good to be done. I will remember this period of life as one of significant growth, spiritually and emotionally, and rejoice in all that has happened in these seven years. All good things must come to an end, after all, and I am so grateful that I had the opportunity to carry these babies - for my three children, Lydia, Elvis, and Henry, and for the lost babies. God carried us through some very difficult chapters of our marriage the last eight years, including those miscarriages, and though walking through those valleys was probably the hardest time of our lives so far, it also taught us a lot about God and our relationship with Him.
Now that the decision is official, and permanent, I am surprised at how relieved I am to be closing this chapter. I am sad at the finality of it all, but every month with any sort of delay or abnormality won't be plagued with the anxiety of whether or not I'm pregnant. I can claim back my three c-sectioned body (once it heals). We can plan our future vacations knowing we will need one roll-away bed in our hotel room and space for three car seats in our vehicles. It is finished. And a brand new season is beginning. :)
Showing posts with label valleys. Show all posts
Showing posts with label valleys. Show all posts
Thursday, May 19, 2011
Tuesday, May 5, 2009
Sydney Cast in Shadow
Sydney Cast in Shadow
The garden stroll before a matinee ballet
birds of paradise gawking these palms this lushness
this pristine park dustless alley
these streakfree storefront windows
this cloudless painless blue this skyline
etched with geometric concrete waves
jutting saucer tower arcing bridge
sailboat-speckled placid harbor this paper bag
soaked in grease from fish and chips
Me too far away to see
my blurred face bare legs fingers tugging skirt hem
neverending steps the opera house
perched at cresting point behind me
This map too small in scale its cartoon skyscrapers
outlandish fountain dozen golden arches architecture
arc and angles exaggerated too whimsical
to accommodate the shadowed blocks we walked
cabs we didn't wave sweaty footprints pressed to sidewalks
heels in hand this vast gap between where we were
and where we hoped to be.
The garden stroll before a matinee ballet
birds of paradise gawking these palms this lushness
this pristine park dustless alley
these streakfree storefront windows
this cloudless painless blue this skyline
etched with geometric concrete waves
jutting saucer tower arcing bridge
sailboat-speckled placid harbor this paper bag
soaked in grease from fish and chips
Me too far away to see
my blurred face bare legs fingers tugging skirt hem
neverending steps the opera house
perched at cresting point behind me
This map too small in scale its cartoon skyscrapers
outlandish fountain dozen golden arches architecture
arc and angles exaggerated too whimsical
to accommodate the shadowed blocks we walked
cabs we didn't wave sweaty footprints pressed to sidewalks
heels in hand this vast gap between where we were
and where we hoped to be.
Thursday, April 23, 2009
Easter Saturdays
Easter Saturdays (tentative title because I stink at titles)
Cars full of people split the swamp where my creek flows.
They must not ponder, pause, stare at hollowed logs,
branchless trunks and wonder about the end of winter,
spring still a whisper in the trickle of cold water through the culvert.
What does all this dying mean, this surrender
after striving for three seasons? Grasses have been shedding
locks for decades, climbing out of caskets, grow and grow
over all their flawed history. We are all eating ourselves,
regurgitating what we thought was digested,
disposed and left behind. But it heaves back,
the crunch of gravel chip and seal, the steady rain falling
after having traveled the culvert just yesterday,
when I straddled the guard rail, cold metal creasing my thighs,
watching every season of my life die and be reborn.
Cars full of people split the swamp where my creek flows.
They must not ponder, pause, stare at hollowed logs,
branchless trunks and wonder about the end of winter,
spring still a whisper in the trickle of cold water through the culvert.
What does all this dying mean, this surrender
after striving for three seasons? Grasses have been shedding
locks for decades, climbing out of caskets, grow and grow
over all their flawed history. We are all eating ourselves,
regurgitating what we thought was digested,
disposed and left behind. But it heaves back,
the crunch of gravel chip and seal, the steady rain falling
after having traveled the culvert just yesterday,
when I straddled the guard rail, cold metal creasing my thighs,
watching every season of my life die and be reborn.
Saturday, April 4, 2009
In Our Backyard
... a tentative title... and, as all poems go with April PAD, a work in progress. It was time for a poem about my brothers :)
In Our Backyard
In our backyard, we were always digging.
We needed to practice the art
of going deeper, how best to slant
the shovel, step, jump – open up the earth,
dump and sift larger granules for finer grains
of sand. We used the tools of our father –
placed our child-sized hands on the back
of dump trucks and crawled, knees
soaking up damp sand. It was important
to be close to the ground.
Mountains moved in our backyard
as we built castles, buried Matchbox cars,
redirected rivers with the water
from our garden hose, our landscape
slowly eroding down into the valley.
We excavated sea floor fossils
from limestone in the driveway,
gathered up bones, stacked each stone –
miniature monuments to our family’s
land, quarrel, eternal sweat.
Excavating runs in blood –
it is all the same trade, really –
one brother digs holes to unearth
impossible boulders, negotiate roots,
measure depth and drainage.
The other takes what is broken,
welds it together, knows metal
is stronger at the point of fracture,
shapes steel into custom framework.
We grow out of the same tilled soil;
we are trying to give order to chaos,
make sense of brokenness, create
something from the ground beneath us,
exhume the passions of a childhood
buried in a backyard sandbox.
In Our Backyard
In our backyard, we were always digging.
We needed to practice the art
of going deeper, how best to slant
the shovel, step, jump – open up the earth,
dump and sift larger granules for finer grains
of sand. We used the tools of our father –
placed our child-sized hands on the back
of dump trucks and crawled, knees
soaking up damp sand. It was important
to be close to the ground.
Mountains moved in our backyard
as we built castles, buried Matchbox cars,
redirected rivers with the water
from our garden hose, our landscape
slowly eroding down into the valley.
We excavated sea floor fossils
from limestone in the driveway,
gathered up bones, stacked each stone –
miniature monuments to our family’s
land, quarrel, eternal sweat.
Excavating runs in blood –
it is all the same trade, really –
one brother digs holes to unearth
impossible boulders, negotiate roots,
measure depth and drainage.
The other takes what is broken,
welds it together, knows metal
is stronger at the point of fracture,
shapes steel into custom framework.
We grow out of the same tilled soil;
we are trying to give order to chaos,
make sense of brokenness, create
something from the ground beneath us,
exhume the passions of a childhood
buried in a backyard sandbox.
Tuesday, March 17, 2009
Cascade Valley
Look, my daughter, the pine tree
dropped its seeds, and here
a fragile sapling braves the forest floor.
This used to be a birch tree
but maybe lightning sliced it,
wind heaved its heavy breath against it
and now the trunk is rust.
Sticks used to flirt, flare
their skirts of springtime buds,
but now we throw the broken limbs
into the rushing floodwaters to see
how quickly we could be carried away.
We are always a hair too close
to the edge, send pebbles skittering
into the river. Let's find our way back
from this spring rage, out of the valley
that catches what used to cling above.
Climb this mountain with its muddy paths,
deer trails, tread marks, hoof prints,
decomposing oaks - we are not the first
to grow and fall. But see the way the leaves
return to earth, the way the dust collects.
Crocus blades emerge from crumbling stumps
as if this growth does not take more than soil,
light, and rain. Reach down, my child,
bring a pine cone home to show
how miraculously we are carried.
dropped its seeds, and here
a fragile sapling braves the forest floor.
This used to be a birch tree
but maybe lightning sliced it,
wind heaved its heavy breath against it
and now the trunk is rust.
Sticks used to flirt, flare
their skirts of springtime buds,
but now we throw the broken limbs
into the rushing floodwaters to see
how quickly we could be carried away.
We are always a hair too close
to the edge, send pebbles skittering
into the river. Let's find our way back
from this spring rage, out of the valley
that catches what used to cling above.
Climb this mountain with its muddy paths,
deer trails, tread marks, hoof prints,
decomposing oaks - we are not the first
to grow and fall. But see the way the leaves
return to earth, the way the dust collects.
Crocus blades emerge from crumbling stumps
as if this growth does not take more than soil,
light, and rain. Reach down, my child,
bring a pine cone home to show
how miraculously we are carried.
Tuesday, February 24, 2009
Psalm 40
Boots
Psalm 40
These boots by the door are still caked
with hardened clay, their leather darkened
by water, still swelling, absorbing,
the flannel lining damp and pungent.
Clumps of mud stick to the kitchen floor,
discarded here and there from the field
that pulled and sucked until I was stuck.
I will not use the broom - I like the imprints
left behind, the way that visitors trip
on my oversized steel-toed boots and gasp –
how high the line of mud rides up,
how great the crumbs of dust.
Let me tell you about these boots,
I will say, about the field, the mire, the muck,
the slow, steady suction, the way I reached
for branches, the way the grasses bent and broke
when I pulled. Let me tell you again how I trembled,
how my hands hung idle, how a farmer
saw me, bent down to loosen my laces,
stretched out his hand, how I stepped from the sludge
in just my socks, mud oozing between my toes,
found a protruding rock, breathed deep,
“Thank God you came by when you did.”
I leave them here to remember the swale.
(Companion piece to The Swale)
Psalm 40
These boots by the door are still caked
with hardened clay, their leather darkened
by water, still swelling, absorbing,
the flannel lining damp and pungent.
Clumps of mud stick to the kitchen floor,
discarded here and there from the field
that pulled and sucked until I was stuck.
I will not use the broom - I like the imprints
left behind, the way that visitors trip
on my oversized steel-toed boots and gasp –
how high the line of mud rides up,
how great the crumbs of dust.
Let me tell you about these boots,
I will say, about the field, the mire, the muck,
the slow, steady suction, the way I reached
for branches, the way the grasses bent and broke
when I pulled. Let me tell you again how I trembled,
how my hands hung idle, how a farmer
saw me, bent down to loosen my laces,
stretched out his hand, how I stepped from the sludge
in just my socks, mud oozing between my toes,
found a protruding rock, breathed deep,
“Thank God you came by when you did.”
I leave them here to remember the swale.
(Companion piece to The Swale)
Wednesday, January 21, 2009
The Swale
Roving feet get suctioned in the swale.
Mud leaches between laces and leather
before you see the depression coming.
The valley looked drier, but spring rain
and winter melt had no time to evaporate
or seep deeper into the earth, harmless.
This land rises up in such a way that dips
are unpredictable. Perhaps shallow cavities
will always be damp, hollows I dare not tread,
not even during the hottest drought.
Some swales will never drain enough
to step unburdened. The hiker
is swallowed, boots sucking heavy in muck.
Anxious hands quiver for help, unable
to reach down and untie my own shoes.
Mud leaches between laces and leather
before you see the depression coming.
The valley looked drier, but spring rain
and winter melt had no time to evaporate
or seep deeper into the earth, harmless.
This land rises up in such a way that dips
are unpredictable. Perhaps shallow cavities
will always be damp, hollows I dare not tread,
not even during the hottest drought.
Some swales will never drain enough
to step unburdened. The hiker
is swallowed, boots sucking heavy in muck.
Anxious hands quiver for help, unable
to reach down and untie my own shoes.
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